Shoot-Out at Garsen's Saloon
Part Three, Scenes One and Two
Big Bill Wretcher, the valley's cattle baron, has challenged the leader of the valley's homesteaders, Joe Garrett, to a gun-fight. Joe knows that he will be up against the hired gun-fighter Stark Verisimilitude. Joe's hired hand, Shane, a heroic figure who seeks to escape his past, a man whom Joe's wife loves, has been told by Joe not to interfere. Warning: This parody of the novel and motion picture "Shane" was written to amuse seventh and eighth grade students. (That's my excuse) It has too many characters because I had too many students enrolled in my drama class. However, I had fun writing it and seeing the cast members perform.
Cast of Characters
Marian
Garrett, Joe’s wife
Grandma
Garrett, Joe’s mother
Johnny
Garrett, dim-witted 17 year old son
Bonnie
Garrett, 12 year old daughter
Opal Stone,
16 year old daughter
Rocky
Stone, 14 year old son
Mrs. Stone,
Cannonball’s wife
Svede
Svenson, Swedish homesteader
Ebenezer
Erp, town preacher
Alley Erp,
Ebenezer’s wife
Hannah Erp,
former bad-breathed, 16 year old daughter
Big Bill
Wretcher, cattle boss of the valley
Rachael
Wretcher, flirtatious 16 year old daughter
Kurt
Jergens, Big Bill’s German, bully-boy foreman
George Garsen,
owner of Garsen’s Saloon
Tina
Tintinnabulation, saloon girl
Digger
Phelps, undertaker and barber
Widow
Winslow, man-hunting, 35 year old widow
Shane,
gunfighter trying to escape his past
Stark
Verisimilitude, gunfighter
Time: 1880s
Place: Shoshone
Hole, Wyoming
Scene One
(At Cannonball Stone’s
homestead. Cannonball and Rocky enter
right, Cannonball holding a shovel)
Cannonball: I
want you to dig that water ditch from there (pointing
right) to over there (pointing
off-stage left)
Rocky: Pa! That’s … thirty feet!
Cannonball: So
what? I was digging ditches twice
as long when I was your age. Do ye good!
Rocky: No, it
won’t, Pa! I’m not going to be a farmer.
Cannonball: Who
says you aren’t?!
Rocky: Mrs. Erp
says I have a wonderful feel for language.
Cannonball: Those
no-account poetry meetings! I
knew it!
Rocky: Pa, I want
to be a poet!
Cannonball:
You’re gonna be a farmer! Develop some
muscle! (He thrusts the shovel at Rocky)
Rocky (repelled by the sight of the shovel):
I’d rather develop my iambic pentameter!
Cannonball (after a pause): A poet! Albert Sidney Johnston Rhett Butler Stone a poet! Talkin’ with Tina the other day didn’t do you
a bit a good!
Rocky: Oh yes, it
did, Pa. It most certainly did!
Cannonball (raising an eyebrow): Oh?
Rocky (enthusiastically): She’s a most
interesting woman!
Cannonball (with appreciation): Yeah! I know what you mean!
Rocky (with concern): But, Pa, I think there
is something wrong with her!
Cannonball (with appreciation): Ain’t nothin’
wrong with Tina Tintinnabulation!
Nothin’!
Rocky: You’re
wrong, Pa. Medically speaking, there is! She said when I looked at her …
Cannonball (interested): Yeah?
Rocky: … that her
molecular structure changes to that of jello!
(pause) Are all girls like that, Pa, because if
they are I’m staying away from them!
Cannonball (exasperated): Ugggh! (shoving
the shovel at Rocky) Here!
Rocky (holding the shovel): I wrote a poem
about it! It goes ---
Cannonball (turning his back): I don’t want to hear
it!
Rocky (reciting): “Tina, just because I say
hello,
There’s no need to turn to jello.
All I am is a friendly fellow.”
Cannonball (frowning): Dig!
(Joe Garrett enters
right. Rocky sees him first and calls
Cannonball’s attention to him)
Cannonball: Joe
Garrett. What are you doin’ out this
way?!
Rocky (to himself): I’m glad that Bonnie
Garrett didn’t come along. She’s always
making cow-eyes at me!
(Bonnie Garrett enters
right)
Rocky: Oh no!
(Joe walks over to
Cannonball and shakes his hand. Bonnie
stays behind him and makes “cow-eyes” at Rocky)
Joe (after a pause): I’m ridin’ in to
Garsen’s Saloon. To see Wretcher. One last time.
Cannonball:
Joe! It isn’t just Wretcher you’re up
against! There’s Jergens! And Verisimilitude!
Joe (dejectedly): I know. (pause) You’ve always been a good friend,
Cannonball. Guess I came over here … for
a word of encouragement.
Cannonball: Joe,
when they’re done with you, the wind blowin’ through the holes in you will be
whistling Dixie !
Joe (after a pause): Thanks. Just what I needed.
Cannonball: What
you need is help!
Joe: No truer
words were ever said. (looking intently at Cannonball) Know
anyone who would?
Cannonball: Well,
uh … (turning to Rocky) … Rocky, uh,
why don’t you entertain young Bonnie here.
Her father and I want to talk, private.
Rocky: Do I have
to?!
Cannonball: Do
it!
Bonnie (skipping over to Rocky): Guess what
I’ve got.
Rocky: What?
Bonnie (showing a bottle which she has been hiding
behind her back): See? A bottle!
Rocky: So?
Bonnie: We can
play with it! We can play … (smiling) … Spin the Bottle!
Rocky: Aw, that’s
baby play!
Bonnie (smiling): That’s what you think! (Rocky
turns his back to her) Well, then
recite me one of your poems. My brother
Johnny says they’re stupid, but, then, he’s stupid so how would he know?
(Rocky and Bonnie
stand near the left exit, she staring at him while he looks away. Joe and Cannonball are at the right exit)
Joe: I figure I
need at least two guns backin’ me up. (pause)
What about Svede?
Cannonball: His
suspenders broke and snapped him one in the eye! It’s swollen bigger than a goose egg!
Joe: Well, I
guess that’s … that.
Bonnie (to Rocky): Well?
Rocky: I’m
thinking!
Bonnie: What
about?
Rocky: I’m
composing a poem right now. About you.
Bonnie: Oh, I can
hardly wait!
Joe (looking at Cannonball): Unless …
Cannonball (talking rapidly): Uh, what about that
Shane fellow?! I hear he’s pretty handy!
Joe: Forget it!
Cannonball: How
come?
Joe: Marian …
doesn’t want us both getting killed. “Two
wrongs don’t make a right,” she says.
Cannonball: So
Shane’s gonna eat Marian’s flannel cakes while Jergens and Verisimilitude make
you look like Swiss cheese! Is that it?!
(Joe nods his head
“yes”)
Cannonball:
Yellow-bellied, no-account Yankee coward!
Rocky: Why is it
that when I look at Tina she turns to jello, but when I look at you, you just
keep lookin’ like a cow?!
Bonnie: “Sticks
and stones may break my bones ---“
Rocky (interrupting): I know, I know! (pause) Wish they had!
Joe: Guess I’m
just gonna have to ride in there myself … and hope I get lucky … (long pause, looking at Cannonball) … unless …
Cannonball: What
you oughta do, Joe, is go in there actin’ tough! Make them think you’re going to
win! (confidently) Scare them spitless!
Joe: Easy for you
to say.
Cannonball: Be
tough as nails! Why, heck, I think I’ll
take the boy here (indicating Rocky) to
watch! Let him see a man in
action!
Joe (a trace of sarcasm): Thoughtful of you.
Cannonball: Be
good for him, seeing bad men plugged. (pause)
Course, if it’s you, … (shrugs
his shoulders) … that’s life. He’s
got to learn you can’t win ‘em all!
Joe (after a pause): So you think I’ve got a
chance … if I’m tough.
Cannonball: Hey,
I’ll be in there backin’ you up all the way … (hopeful expression from Joe) … morally speaking, that is. (Joe’s expression changes to
disappointment) Joe, I can’t
afford to get shot! I got the boy
here, Opal, and the misses to think of!
Least you got Shane to take your place.
I got no-one.
Joe: What about
Svede?
Cannonball:
That’s no-one.
Joe: All right,
Cannonball. At least I know you’ll be
rootin’ for me! (to Bonnie) Come on,
Bonnie. We’re going home. Then, … I gotta go into town.
Bonnie: Rocky is
writing a poem about me. I want to
hear. (to Rocky) Are you done?
Rocky (reciting): Bonnie Garrett, I do not
tell lies:
Bonnie Garrett, you’ve got big brown eyes;
Bonnie Garrett, you remind me of
something. Who?
Bonnie Garrett, here’s a clue. Mooooooo!
Bonnie: My
brother’s right! Your poems are
dumb! Come on, Dad! (She
and Joe exit right)
Scene Two
(The Erps parlor in
town. The stage is empty)
Erp (off-stage right): Alley, I am
vexed! A minister’s wife does not tell
her husband to “shut up!”
Mrs. Erp: You are
right. Forgive me.
They enter right)
Erp (gesturing righteously): Worse, you
expressed your hostile sentiment before others!
Mrs. Erp (meekly): Yes. So thoughtless.
Erp: A man of the
cloth must be looked upon with respect and reverence. You have reduced my status to that of … Elmer
Fudd.
Mrs. Erp: How can
you ever forgive me?
Erp: Never, never
speak to me in anything other than the most reverent of tones!
Mrs. Erp: Oh, I
will, husband. I will!
Erp (striking a righteous pose): Always
remember. Man was made to master … (a broad gesture) … all that he
surveys. (pause) Woman,
however, … (He raises his eyebrows and looks at Alley)
Mrs. Erp: Yes,
husband?
Erp: Woman
was made to wash long-johns and bake blueberry pies! Is that not so, Alley, my dear?
Mrs. Erp (obediently): Yes, Ebenezer.
Erp: From Adam’s
rib, He (motioning upward) created
woman. If Adam wishes to bind Eve in
matrimony, it is her duty to honor and obey! Is my meaning not clear?
Mrs. Erp: Yes,
husband. (a trace of irritation) Very.
Erp: Good. I need sustenance. Be a good Eve and make me blueberry muffins
and marmalade jam.
Mrs. Erp (after a pause): Ebenezer, dear.
Erp: Yes, Alley?
Mrs. Erp: The
garbage pit that you neglected to cover with dirt before last week’s storm?
Erp: Yes, Alley?
Mrs. Erp: Go put
your head in it!
Erp: Perhaps
instead of muffins I would like cinnamon bear-claws. Yes! (He pats his stomach affectionately)
Mrs. Erp:
Ebenezer, you aren’t listening again.
Erp: What’s
that? You’re out of cinnamon? Then trot right on over to Garsen’s, woman. Remind him of his sins and maybe he will sell
it at half-price.
Mrs. Erp: I’m
trotting home to Mother! You wash
your own long-johns, you pompous owl!
Erp: How dare you
speak this way! You are the wife of the
renowned Ebenezer Erp!
Mrs. Erp: Baloney! Put some mustard on it, slap two slices of
bread around it, and have your lunch! (She turns about abruptly and exits left)
Erp (after a five second pause): Well! (He
glances off-stage right) Mustard. Hmmmmm.
I think we still do have some baloney left. (He
exits right)
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