Interview
I want to thank Michael Brookes for the interview he recently conducted of me to focus attention on this blog site. You may access it at http://thecultofme.blogspot.co.uk/2014/04/blog-shout-out-us-historical-fiction.html
Wednesday, April 30, 2014
Saturday, April 26, 2014
Review
"Recapitulation"
by Wallace Stegner
Only an elite novelist could succeed in what Wallace Stegner accomplishes with “Recapitulation.” A sequel to “The Big Rock Candy Mountain,” this novel is more contemplative than it is event-based and episodic. The reader spends perhaps as much time dwelling in the mind of the protagonist Bruce Mason as he does witnessing the experiences of the teenage boy that Mason remembers himself being during his formative years. “Recapitulation” is about recollection of the past and coming to terms with repressed anger, humiliation, guilt, and loss. It is about closing the door to those destructive emotions caused by undesirable living circumstances and hostile parenting.
Bruce Mason returns to Salt Lake City forty-five years after the death of his father, Harry Mason, in 1932. It was in this important Mormon city that Bruce lived most of his teenage life. We learn that during his productive adult years he had worked for the State Department as a diplomat in the Middle East. He had once been an ambassador. The pretext for his return is to make arrangements for and attend the burial of his aunt -- Harry Mason’s aged, senile sister. He has no emotional attachment to her; he has hardly known her. He knows that his presence isn’t necessary. He could easily dictate the arrangements from afar. He has come back for other reasons not characteristic of his nature and not entirely understood.
His State Department colleagues viewed Mason as a man “indifferent to where he had been, interested only in where he was going.” He was famous for carrying with him a little black book “in which he jotted down appointments, reminders, obligations, shopping lists, which, as soon as each item was taken care of, he inked out so blackly that they could not be read.” Not until close to the end of the novel does the reader recognize that Mason has returned to Salt Lake City to ink out the hurtful recollections of his youth and the emotions that they had generated.
Walking the streets of the city, recognizing familiar sights, Mason imagines himself walking double. “Inside him … went a thin brown youth, volatile, impulsive, never at rest, not so much a person as a possibility, … subject to enthusiasm and elation and exuberance and occasional great black moods, stubborn, capable of scheming but often astonished by consequences, a boy vulnerable to wonder, awe, worship, devotion, hatred, guilt, vanity, shame, ambition, dreams, treachery; a boy avid for acceptance and distinction …” He would see himself later in the novel as having been “the quintessentially decultured American, born artless and without history into a world of opportunity” needing to “acquire in a single lifetime the intellectual sophistication and the cultural confidence that luckier ones absorb through their pores from earliest childhood, and unluckier ones never even miss.”
The root cause of his deprived childhood was his father. “The Big Rocky Candy Mountain” chronicles Harry Mason’s incessant quest to achieve self-gratification, within and outside the law. Ever restless, he has moved his family from various locations in the United States and Canada to pursue brighter opportunities when a normal family man would have settled for what he had modestly achieved. Harry is a hard man certain in his judgment, critical if not contemptuous of conflicting viewpoints. The family had come to Salt Lake City hoping to leave behind “the many failures, the self-deceptions, the schemes that never paid off, the jobs that never worked out, the hopeful starts that had always ended in excuses or flight.” Initially, Harry runs a speak-easy in his home. The family is forced to live isolated lives. “It was as if they lived not merely at the edge of the park but outside the boundaries of all human warmth, all love and companionship and neighborliness, all light and noise and activity, all law.” Later, Harry becomes a bootlegger. This requires that he take long trips to acquire his merchandise as well as trips within the city area to make deliveries to customers. The family continues to live outside the law and the community.
Bruce’s mother is Bruce’s lifeline during his early teenage years in Salt Lake City. “She had been brought up in a stiff Lutheran family, and without being at all religious, she had a yearning belief in honesty, law, fairness, respectability, and the need for self-respect. … She was a humble, decent woman … All it ever took to remind Bruce of how abused he was, was to catch sight of her face when she didn’t know anyone was looking.”
At school Bruce is a scrawny outcast. He seeks approval from his teachers by being excessively diligent. Fearful of the effects that his peers’ disapproval of him are having on Bruce, his mother forces him to join a tennis club, hoping that he might find some path toward social acceptance. Bruce is fortunate to meet at the club Joe Mulder, the star player of the high school tennis team. Joe takes Bruce under his wing, teaches him the game, and introduces him to his family. “Joe rescued his summer and perhaps his life. He taught Bruce not only tennis but confidence, and not only confidence but friendship.” Thereafter, Bruce spends most of his out-of-school time at the Mulder house. Joe’s father hires him to work at his nursery. Bruce discovers that his father is jealous. “Harry Mason resented the fact that his guarded laughterless, irritable house should be abandoned in favor on one rotten with respectability.”
Because of Joe Mulder, Bruce ventures into the hazardous realm of establishing relationships with girls. His great love becomes Nola Gordon, from whom he learns bittersweet lessons of life. She helps him feel, reflect, and grow. It is recollections of Nola and long-standing emotions about her that the adult Bruce additionally wishes to reconcile.
A master of subjective narration, Wallace Stegner is also a superb scene writer. He narrates characters’ tensions extremely well. One such scene has Bruce bringing Nola home to meet his mother, who is recovering from breast cancer surgery. Bruce and Nola had been at a high school prom party. Bruce had been feeling guilty that he had left his mother alone, his father having driven to California to restock his quantity of illicit liquor. The meeting between Nola and Bruce’s mother goes well, everybody is happy, but then they hear the sound of a car entering the garage. Harry Mason has returned.
Hoping to put his father on his best behavior, Bruce intercepts Harry outside the house. He tells him that they have a guest, his date. Harry criticizes Bruce for having left his mother alone. He enters the room pretending he does not know that Nola is present. “Bruce watches him go in and bend over and kiss the woman in the bed – and that is surely showing off … Except when he is showing off or clowning, he makes no such standard gesture of affection.” Bruce’s mother introduces him to Nola. “Bruce knows exactly how she is looking at his father, her eyes curious and interested … At once he feels compared and judged. Beside his father’s size and weight and shirt-sleeve dishevelment he feels like the overdressed figure on a wedding cake. … The old helpless feeling of inferiority oppresses him.” Harry gives a lengthy account of how his car had rolled over on a storm-damaged road. It evokes amazement and sympathy. Bruce announces that he and Nola need to go back to the party. “I have to be there to help close it up. I’m on the committee.” Harry answers with “an incredulous laugh. ‘If you’re on the committee.’” Nola interprets the response as kidding. Outside the house Bruce and Nola talk.
“… You and your father don’t get along.”
“Was it that obvious?”
“You won’t let him joke you.”
“His jokes aren’t jokes.”
Wallace Stegner reflects upon the subtleties of human existence. His insights resonate. Do we not look back upon our lives to reexamine the satisfactions and mistakes of our past? It is part of human nature to sum up, hopefully to cherish, not ink out, what we have experienced.
Bruce Mason returns to Salt Lake City forty-five years after the death of his father, Harry Mason, in 1932. It was in this important Mormon city that Bruce lived most of his teenage life. We learn that during his productive adult years he had worked for the State Department as a diplomat in the Middle East. He had once been an ambassador. The pretext for his return is to make arrangements for and attend the burial of his aunt -- Harry Mason’s aged, senile sister. He has no emotional attachment to her; he has hardly known her. He knows that his presence isn’t necessary. He could easily dictate the arrangements from afar. He has come back for other reasons not characteristic of his nature and not entirely understood.
His State Department colleagues viewed Mason as a man “indifferent to where he had been, interested only in where he was going.” He was famous for carrying with him a little black book “in which he jotted down appointments, reminders, obligations, shopping lists, which, as soon as each item was taken care of, he inked out so blackly that they could not be read.” Not until close to the end of the novel does the reader recognize that Mason has returned to Salt Lake City to ink out the hurtful recollections of his youth and the emotions that they had generated.
Walking the streets of the city, recognizing familiar sights, Mason imagines himself walking double. “Inside him … went a thin brown youth, volatile, impulsive, never at rest, not so much a person as a possibility, … subject to enthusiasm and elation and exuberance and occasional great black moods, stubborn, capable of scheming but often astonished by consequences, a boy vulnerable to wonder, awe, worship, devotion, hatred, guilt, vanity, shame, ambition, dreams, treachery; a boy avid for acceptance and distinction …” He would see himself later in the novel as having been “the quintessentially decultured American, born artless and without history into a world of opportunity” needing to “acquire in a single lifetime the intellectual sophistication and the cultural confidence that luckier ones absorb through their pores from earliest childhood, and unluckier ones never even miss.”
The root cause of his deprived childhood was his father. “The Big Rocky Candy Mountain” chronicles Harry Mason’s incessant quest to achieve self-gratification, within and outside the law. Ever restless, he has moved his family from various locations in the United States and Canada to pursue brighter opportunities when a normal family man would have settled for what he had modestly achieved. Harry is a hard man certain in his judgment, critical if not contemptuous of conflicting viewpoints. The family had come to Salt Lake City hoping to leave behind “the many failures, the self-deceptions, the schemes that never paid off, the jobs that never worked out, the hopeful starts that had always ended in excuses or flight.” Initially, Harry runs a speak-easy in his home. The family is forced to live isolated lives. “It was as if they lived not merely at the edge of the park but outside the boundaries of all human warmth, all love and companionship and neighborliness, all light and noise and activity, all law.” Later, Harry becomes a bootlegger. This requires that he take long trips to acquire his merchandise as well as trips within the city area to make deliveries to customers. The family continues to live outside the law and the community.
Bruce’s mother is Bruce’s lifeline during his early teenage years in Salt Lake City. “She had been brought up in a stiff Lutheran family, and without being at all religious, she had a yearning belief in honesty, law, fairness, respectability, and the need for self-respect. … She was a humble, decent woman … All it ever took to remind Bruce of how abused he was, was to catch sight of her face when she didn’t know anyone was looking.”
At school Bruce is a scrawny outcast. He seeks approval from his teachers by being excessively diligent. Fearful of the effects that his peers’ disapproval of him are having on Bruce, his mother forces him to join a tennis club, hoping that he might find some path toward social acceptance. Bruce is fortunate to meet at the club Joe Mulder, the star player of the high school tennis team. Joe takes Bruce under his wing, teaches him the game, and introduces him to his family. “Joe rescued his summer and perhaps his life. He taught Bruce not only tennis but confidence, and not only confidence but friendship.” Thereafter, Bruce spends most of his out-of-school time at the Mulder house. Joe’s father hires him to work at his nursery. Bruce discovers that his father is jealous. “Harry Mason resented the fact that his guarded laughterless, irritable house should be abandoned in favor on one rotten with respectability.”
Because of Joe Mulder, Bruce ventures into the hazardous realm of establishing relationships with girls. His great love becomes Nola Gordon, from whom he learns bittersweet lessons of life. She helps him feel, reflect, and grow. It is recollections of Nola and long-standing emotions about her that the adult Bruce additionally wishes to reconcile.
A master of subjective narration, Wallace Stegner is also a superb scene writer. He narrates characters’ tensions extremely well. One such scene has Bruce bringing Nola home to meet his mother, who is recovering from breast cancer surgery. Bruce and Nola had been at a high school prom party. Bruce had been feeling guilty that he had left his mother alone, his father having driven to California to restock his quantity of illicit liquor. The meeting between Nola and Bruce’s mother goes well, everybody is happy, but then they hear the sound of a car entering the garage. Harry Mason has returned.
Hoping to put his father on his best behavior, Bruce intercepts Harry outside the house. He tells him that they have a guest, his date. Harry criticizes Bruce for having left his mother alone. He enters the room pretending he does not know that Nola is present. “Bruce watches him go in and bend over and kiss the woman in the bed – and that is surely showing off … Except when he is showing off or clowning, he makes no such standard gesture of affection.” Bruce’s mother introduces him to Nola. “Bruce knows exactly how she is looking at his father, her eyes curious and interested … At once he feels compared and judged. Beside his father’s size and weight and shirt-sleeve dishevelment he feels like the overdressed figure on a wedding cake. … The old helpless feeling of inferiority oppresses him.” Harry gives a lengthy account of how his car had rolled over on a storm-damaged road. It evokes amazement and sympathy. Bruce announces that he and Nola need to go back to the party. “I have to be there to help close it up. I’m on the committee.” Harry answers with “an incredulous laugh. ‘If you’re on the committee.’” Nola interprets the response as kidding. Outside the house Bruce and Nola talk.
“… You and your father don’t get along.”
“Was it that obvious?”
“You won’t let him joke you.”
“His jokes aren’t jokes.”
Wallace Stegner reflects upon the subtleties of human existence. His insights resonate. Do we not look back upon our lives to reexamine the satisfactions and mistakes of our past? It is part of human nature to sum up, hopefully to cherish, not ink out, what we have experienced.
Monday, April 21, 2014
Book Review
Roanoke : Solving the Mystery of the Lost Colony is
a special book.
"Roanoke: Solving the Mystery of the Lost Colony"
by Lee Miller
Of the four major secondary sources that I have read that
narrate Walter Raleigh’s attempts to establish an English settlement on the
coast of North America
in the 1580s, Lee Miller’s Roanoke:
Solving the Mystery of the Lost Colony is probably the most informative and
definitely the most entertaining.
Miller’s research is extensive. (Even her footnotes give useful
information) Not content just to tell
the conventional story of Raleigh ’s
attempts, she provides valuable context.
We learn about the misery of life in England and, more particularly, London .
Miller writes that fish markets and butchers shops at London ’s waterfront abound. The stench is overwhelming. Offal is channeled down to waiting dung boats
on the Thames .
Streets are twisted and narrow, with constant congestion of carts and
coaches. Around the base of St. Paul ’s Cathedral
booksellers’ stalls and printers’ shops swarm. Skulking around them are knaves, pickpockets,
and thieves. Rudeness “is in keeping
with an overall atmosphere of self-indulgence.
A shirking of personal responsibility.
… Anger is allowed free rein;
street brawls are common. Couples easily
separate when tired of marriage. … the swelling army of pursy and corpulent
citizens indicates an absence of self-denial” (Miller 35). Bear-baiting is a favorite public
entertainment. Crowds of idlers sit in
stands to watch specially trained dogs, one by one, attack a bear who is
tethered to a post and whose teeth have been broken short.
Additionally, Miller explains the history of Queen
Elizabeth’s difficulties with Spain
beginning with King Phillip II’s ascension to the throne in 1556. She writes about the intrigues against Elizabeth ’s life that involve Mary Stuart, the one-time
queen of Scotland . We read about Mary’s duplicity, arrest,
trial, and execution.
Miller provides a character sketch of Walter Raleigh,
relates his beginnings and his rise to power, portrays his enemies, and
narrates his downfall.
She offers reasons to explain why ordinary men and several
of their wives and children leave England
in 1587 to settle in the New World .
Miller’s book is excellent for its range of historical
information. That she attempts to answer
two lingering questions about the Roanoke
settlements makes her book even better.
Why was Walter Raleigh’s 1587 attempt – led by the artist John White --
to establish a permanent settlement doomed to fail? What really happened to the “lost” settlers
that White could not locate upon his return to Roanoke in 1590?
Lee Miller is the only historian to theorize that the 1587
attempt was deliberately sabotaged. She
reviews each of Queen Elizabeth’s four primary councilors and presents
compelling evidence that the saboteur was her secretary of state Francis
Walsingham.
The conventional wisdom of most historians about the
“disappearance” of a major portion of White’s settlers is two-fold. One, they relocated either on the south shore
of Chesapeake Bay or 50 miles inland from Roanoke Island somewhere up the
Chowan River and, two, they were slaughtered years later by the Powhatan Indian
nation. Miller speculates that they
settled somewhere along the Chowan
River but were almost
immediately destroyed by a vicious interior tribe that coastal Algonquian
tribes called Mandoag. She lays out
arguments as to why Jamestown officials declared
that John White’s “lost colony” had been killed by the Powhatans and why the
few rumored survivors of White’s colony were spread across North Carolina ’s interior.
A third reason why I valued this book is Miller’s skillful
use of descriptive language. In certain
places she writes like a novelist. Here
are two examples.
John White and Thomas Hariot approach Paquype Lake
– “They follow a wooded trail, damp and spongy underfoot, around knotty cypress
knees jutting out of stagnant water the color of weak tea, tainted with tannic
acid. Scarlet-headed parakeets tumble
wildly into the air, frightened… The
path skirts trees the girth of five men, primordial giants draped in skeins of
green vine. Tendrils curl, cascading
downward, twisting over the ground below.
Then, without warning, incongruous amid the tangle, a ring of blue
water” (Miller 89).
Evening scene at Aquascogoc – “Offshore, Indian dugouts ride
a crimson tide as the sun tumbles into the sound. Shimmering fire across the water. Fishermen, in grand silhouette, lay their
nets, rhythmically casting and hauling in.
Butterflies unfolding glistening wings of nettle fiber. A graceful dance. Eventually the boats, lit up by torches, will
twinkle toward land. Drawn by the fires
of Aquascogoc. The domed houses gleam
with muted light, illuminating woven wall patterns like stained glass, spilling
warm shapes across the tamped ground outside.
Each design different. Stars and
geometrics; kaleidoscopic forms, birds and fish” (Miller 90).
Saturday, April 19, 2014
Scenes about Paul Revere
Revere noticed the brass
buttons, gold lace, whitened leather baldrics, and soiled white leggings. He
identified Major John Pitcairn, the profane, devout, fiery, amiable Scotsman
with whom he had occasionally exchanged pleasantries. He recognized riding
beside Pitcairn the pugnacious major who three hours ago had threatened to
scatter his brains.
"Lowell, the Redcoats!"
Two
men walked rapidly across the damp grass of Lexington Common, the smaller man,
as if to leave one set of footprints, stepping fastidiously in the wake of the
bulky man with the thick hands. Neither man exhibited concern about the tolling
of the tower bell or the beating of the company drum or the haste of militiamen
crossing the Bedford
road. Neither by hesitancy nor surreptitious glance did they acknowledge the
two dozen women, handful of children, and five old men clustered in front of
John Buckman’s stable.
Both
men had accompanied Samuel Adams and John Hancock to the home of Woburn ’s recently deceased
preacher. The first night of Hancock's residency at Reverend Jonas Clarke’s
house John Lowell, Hancock’s secretary, had stored the wealthy merchant’s
traveling trunk in a private room of John Buckman’s tavern. Underneath articles
of clothing and personal effects lay treasonous letters. Upon arriving at Woburn , Hancock had
ordered that the trunk be removed.
Lowell
and his companion climbed now the tavern’s stairs. Stopping at the first room
on the second floor, the secretary pulled out of his coat pocket a long key.
Turning it, he opened the chamber door. Looking over Lowell ’s right shoulder, Paul Revere spied
beneath the curtained window the rectangular trunk. Bending his knees, Lowell grasped one handle.
Revere , facing
the wall, beginning his stoop, looked out the window.
Down
the slope of the Menotomy road, headed toward the tavern, advanced the King’s
infantry!
“Lowell,
the Redcoats!” he cried.
Ten seconds later they were stomping
down the stairs, Lowell , straining at the high
end of the trunk, Revere ,
carrying most of its weight, treading backwards. Out the front door and then
past the back of the stable they labored. Feeling the Bedford
road beneath his shoes, faced backward, Revere
witnessed east of the Meeting House the bravura of red uniforms. Ahead of the
dash of color rode Pitcairn, flanked by six or seven officers, each astride a
large “plow horse.” Parallel to the Bedford
road, Captain Parker’s militiamen had formed a long line.
Into
and behind the company he and Lowell staggered.
“Let
the troops pass by,” Revere
heard Captain Parker say, “and don't molest them without they begin first!”
Going between the blacksmith shop and
Jonathan Harrington’s house, Revere and Lowell returned to the
road. Straining to keep the bottom edge of the trunk above his knees, striking
his heels on the road’s surface, hearing Lowell ’s
arduous grunts, Revere
issued rapid, lip-separating puffs.
The
renting sound of detonated gunpowder halted them, caused them to drop the
trunk.
Staring
through interfering tree limbs, Revere
saw lines of soldiers and billowing smoke. A second explosion blasted. The
soldiers charged.
Thursday, April 17, 2014
Scenes about Paul Revere
Revere did not dwell on
his good fortune. He studied the rocky, wooded hillside north of the road.
Going in that direction, cutting across the burying ground, he could save
fifteen minutes. If Adams and Hancock had not left the Clarke house, he would
have something new and amusing to tell!
"A Damned Critical Situation"
“Keep moving!” the
sadistic lieutenant ordered. Using the side of his hanger, he struck the rump
of Patterson’s horse.
The party
of soldiers that had arrested and detained the three of them had separated into
two groups. Patterson’s group, which included three lieutenants, four
sergeants, Paul Revere, Loring, Browner, and a peddler whom the soldiers had an
hour ago arrested, was riding toward Lexington .
The main group, led by the patrol’s fearsome major, had thirty minutes earlier ridden
ahead to locate and arrest John Hancock and Sam Adams. That they would not
accomplish! They, not Reverend
Clarke’s houseguests, would very soon be the hunted! “500 militiamen,” he had
heard Mr. Revere say. A mere fifty, intelligently used, would be enough!
Guarded
by a sergeant whom the major had instructed, “Take out your pistol. If he runs,
kill him!” Revere
had for a short time been verbally abused. “Damned rebel” he was! Patterson
thought. Ten times the man these flaming cuckolds!
“You
are in a damned critical situation,” one of the lieutenants had told Revere .
“I am
sensible of it,” had been Revere ’s
bland reply.
Not
having daunted Revere ,
having good reason themselves to be afraid, the seven soldiers had thereafter
been silent.
At
the top of Pine Hill, a half mile past the Nelson house, Patterson’s group came
upon the lead group, waiting in the road.
The three lieutenants from Patterson’s
group and the commanding officer conferred.
…
The four officers separated. A minute later
the two groups started up. When we reach Lexington ,
I’ll kick my horse across the Common, Patterson vowed, all the way to Bedford , if needed!
His
body’s queasy lassitude suggested the opposite.
The
toll of a bell startled them. It continued to peal. The riders at the front
halted. Facing his captives, the wrathful major demanded an explanation.
“The
bell's aringing,” Jonathan Loring said.
The
officer’s look burned him.
“The
town's alarmed. You're all dead men!” Loring responded.
“I
wouldn't be sayin' that,” the sergeant next to Loring whispered.
The
major summoned four officers. They conferred. One of them dismounted. He
approached Patterson.
“Get
off your horse,” he said.
His heart
pounding, Patterson dismounted. Wobbling a bit, he extended his right hand.
The
officer’s eyes locked on him. “I must do you an injury!”
Patterson’s
shoulder blades went numb. “What … are you going to do?” he stammered.
The
officer withdrew his hanger. Emitting a high-pitched screech, Patterson lurched
backward against the hindquarters of Solomon Browner's horse. The officer
laughed. Turning his back, he pressed his blade against the bridle of
Patterson’s horse.
Having
severed also the horse’s saddle girths, the lieutenant ordered Browner, Loring,
and the one-armed tin ware peddler to dismount.
Patterson’s
bowels rumbled. Buttock muscles clenched, he watched the sadistic officer
labor.
“It
makes no sense,” Loring said. “They could simply take ‘em off.”
“They
don’t want us usin’ them again, ever,” Browner answered.
“Spiteful
bastards!” Loring muttered.
The
officer with the hanger flung the last saddle to the side of the road.
“You are released!” Major Mitchell
exclaimed, the four of them having looked at him expectantly. “Drive their
horses off!” he ordered the sergeant who controlled Paul Revere’s mount. “But
not you!” he said to its rider.
“Dismiss
me as well.”
“I
will not!”
Patterson turned his head. Loring and
Browner had already crossed the road. They were scrambling over a rail fence.
On the other side, bracing himself, Browner extended a hand to assist the
peddler.
…
“I admit I cannot carry you. But I will not release you! Let the consequence be
what it may,” Mitchell declared.
They
started up again. They advanced no faster than a vigorous walker.
By
now, Revere thought, Sons of Liberty in Concord would be removing
the last of the cannon and powder. This time he had not warned them; he was
confident that Prescott, or Dawes, had. He had been taken out of it; he would not entertain thoughts of what they
might do to him. What that would be he would accept. With dignity. With pride.
Rousing the temper of this belligerent officer had given him satisfaction; it
would have to be his recompense. Because he had alerted the countryside, because
his name inspired anathema throughout General Gage’s cadre, and, most
importantly, because he had infuriated this man, nothing, not even the
likelihood of capture, would induce the officer to release him.
He
was mistaken.
A
sudden burst of musket fire halted them.
“What
does that mean?!”
“It’s
a single volley. To summon Lexington ’s
minutemen.”
The
Major slapped his reins against his saddle. Gritting his teeth, he cursed.
The
sergeant controlling Revere ’s
horse grimaced. Revere
saw fear in the soldier’s eyes.
“How
far is it to Cambridge ?!”
“Twenty
miles,” Revere
exaggerated.
“Is
there another road to Cambridge ?!”
“No.”
“Then,
… be it so!”
The
officer glared at the soldier holding Revere ’s
reins. “Is your horse tired, sergeant?!”
“Yes
sir, he is.”
“Then
take this man's beast!” he declared. “Take it!” he shouted.
Averting
his face, one of the officers took Revere 's
reins. The sergeant stripped his own horse. A second officer slapped its rump.
Showing no emotion, the first officer ordered Revere to dismount. The sergeant eased
himself into Revere ’s
saddle. His back legs stiffening, the horse, Revere 's excellent steed, urinated.
Major
Mitchell’s patrol disappeared.
Recalling
Hancock in robe and slippers wanting Lowell to
polish his sword, Revere
laughed.
Tuesday, April 15, 2014
Scenes about Paul Revere
Revere dismounted.
Standing on soft ground, he flexed his knees, arched his back.
Revere stared fiercely at
his horse’s bridle. The officer on foot, hastily returning, said in a low
voice, “You need not be afraid.”
Revere glared.
Revere smiled at the man's
duplicity. “I came out of Boston a half hour
after your troops had come out of Boston
to land at Lechmere's Point,” he said. “I have alarmed the country all the way
up. We’ll have 500 men here soon. Your boats have catched aground.”
Revere grinned. “If I had not known that other people along the
way had been sent out to alarm the country,” and he paused. “If I had not known I had time enough to ride
fifty miles,” -- he faced the mounted officer nearest him -- “I would’ve
ventured one shot from you before I would’ve suffered you to have stopped me!”
"My Name Is Revere"
“Get off your
horse!”
An
officer on foot approached. He stopped three feet away, looked Revere over. “Where did
you come from?” he asked.
“Boston .”
The
officer's eyebrows lifted. “What time did you leave?”
“10:30,
I believe.”
The
officer, approximately Revere ’s
age, turned his head, squinted at the closest mounted soldier. The soldier
nodded some sort of acknowledgement.
“Are
you an express rider, sir?” the officer asked.
“I
am.”
He
frowned. “Sir, I crave your name.”
“My
name is Revere .”
“What?”
The officer’s mouth stayed open. “You are Paul Revere?!”
“Yes.”
The
man scowled, pivoted, stalked off to his tended horse. The others, high above Revere , glared.
“Damn
rebel!”
“Villain!
Bloody traitor!”
“We'll
see you hung, you and Adams! And that flash bastard Hancock!”
“Major
Mitchell will have you shot!”
“No
one will hurt you.”
“Gentlemen,”
Revere said,
addressing the horsemen that had cursed him. “You have missed your aim!”
They
bristled. Barn cocks, he thought.
One
of them said, officiously, “What of
our aim?”
“Our
aim is to arrest deserters,” the older officer said. “That is why we stopped
you.”
“You
lie!”
“We
have 1,500 coming!”
Curses
rained upon him. Dismissing them, he watched the courteous officer pull taut his
gloves. The officer mounted. He rode off across the pasture.
“Captain
Cochrane’s getting the Major,” one of Revere 's
abusers declared, laughing.
“Bloody
good entertainment t’be had, traitor!”
Two
riders returned at a full gallop. Forty feet away, the taller rider, his horse
yet in motion, dismounted. Drawing his pistol, he advanced. Revere saw he was the soldier that had
threatened him on the road.
The
officer pressed the end of his pistol against Revere 's left ear. “You will give me truthful answers or I will blow your brains out!”
Neck
muscles tight, Revere
resisted the pressure. “I esteem myself a man of truth and I am not afraid of you!” Heat radiated from
his face. “I demand you remove that pistol! By what right is a peaceable
citizen detained on this highway?!”
“The
truth, I say, or I’ll scatter your brains on this dirt!”
The
officer applied additional pressure. Revere
glowered at a distant tree.
“You
are Paul Revere sent from Boston to alert the provincials. Am I
correct?!”
“You
are!”
“When
did you leave Boston ?”
“At
10:30!”
“And
you saw His Majesty's troops leave Boston ?”
As mercurially as he had brandished it, Mitchell withdrew the pistol.
“Their
boats catched aground.” Mitchell glared at him. “I have roused every minuteman
from here to Lexington .
Soon you’ll have 500 surrounding you.”
For
ten seconds the officer’s fierce eyes assaulted him. To the closest lieutenant,
Mitchell declared, “Search him!”
Two
officers did so. Satisfied that he was not armed, Mitchell ordered the express
rider to mount. Drawing his right leg over the horse’s back and saddle, Revere seated himself.
Mitchell
grabbed the bridle. “By God, sir, you do not ride with reins!” He seized them.
“Grant, come here!” His face contorting, he whipped the reins into the officer’s
reaching hands.
“If
you let me have them, I’ll not
attempt to run from you.”
“I
will not! I don’t trust you!”
Mitchell
mounted. To the soldier that had surrendered the reins of Revere 's horse, he ordered, “Bring them all
out!” He nodded toward the wood.
The
sergeant returned with yet another officer. Walking between them were four
county men, each leading a horse. One of them was missing an arm. Ten yards
away they were told to mount.
Mitchell
said to Revere :
“We will ride now toward your friends. If you attempt to run, or if we are
insulted, I will scatter your brains!”
“You
may do as you please!”
Sunday, April 13, 2014
Scenes about Paul Revere
Revere looked over his
right shoulder. Prescott ,
his whip handle turned about, was rapidly advancing.
Revere and Prescott
veered through the opening in the rail fence.
Revere strained to see
what lay ahead. Two riders sat motionless under a solitary tree. Beyond
appeared to be a dark wood. “Put on!” Prescott
shouted. The doctor yanked his horse off course.
"Outnumbered"
The
young doctor and Billy Dawes had stopped at the door of another farmhouse. Revere rode contentedly
ahead. The stillness, crispness, and clarity of the night braced him. He
thought, A city man would do well to take a moonlit ride on such a star-bright,
spring night.
Moon-crafted
shadows lay upon the road. High above, tiny beads of light glittered. Revere heard a screech and
the flapping of wings. The stillness that ensued seemed otherworldly. He heard
faintly the passage of water over rocks.
Such
moments renewed his belief in the Almighty Creator. In six days the Lord had
made the world. On the seventh He had rested.
Man,
God’s greatest creation, defiled it. Along this peaceful, illuminated roadway
many soldiers would march. Tranquility lost. But not yet. There were
moments, he thought, when a man, quite alone, did feel God’s purpose.
He
had stopped his horse at the top of a gentle rise to enjoy the night’s
serenity. When he heard the sound of his companions’ horses, he urged his own
forward. Having ridden ten rods to a turn in the road, he spied two soldiers on
horseback, waiting in the darkness of a large maple.
This
time he was not outnumbered!
“Dawes!
Prescott ! Come
up! British officers!”
Mounted
soldiers, brandishing pistols, burst forth from shadows behind him!
Kicking
his horse’s sides, shouting, Revere
propelled his mount forward.
“God
damn you, stop! If you go an inch farther you are a dead man!” Flanking him, a
long-bodied, snarling officer rotated the end of his pistol.
Where
was Dawes?
Seconds
later Prescott
was abreast of him. Cursing officers, waving swords, accosted them.
“Into
that pasture! Through that space into that pasture!” one of them shouted.
“Into
that pasture now or we will blow your
brains out!”
Too
late to follow, Revere spurred his horse into a full gallop. If he could but
reach the wood! Turning his head, he saw Prescott ’s
horse leap an obstruction. Prescott ’s
two pursuers halted.
The
two that had been under the tree were now leading Revere ’s chasers. He heard their labored
pursuit.
Just
ahead! He searched for an opening where, once within, he would pull up,
dismount, and escape on foot. To his dismay out of several openings exited more
soldiers! Almost immediately they were about him! He veered away but one,
reaching dangerously, seized his horse's bridle. They surrounded him. Stopping
him, they aimed their pistols at his breast.
Placing
his hands on his horse’s neck, shutting his eyes, Revere aspirated.
At
least Prescott
had escaped.
Friday, April 11, 2014
Scenes about Paul Revere
Revere watched Billy Dawes
rap on the front door; he heard Dawes shout the alarm to a person at an
upstairs window. Much better to share this work, he thought. It made the night
seem less perilous. Definitely less lonely. His esteemed friend in Boston would be worrying
about them. Here they were, working well together, each beforehand having
worked well separately.
Revere nodded. The man was
cordial.
Prescott stared. They
watched him swallow, grimace. “I wonder why I’m surprised at this.”
"Then May I Accompany You?"
Anticipating
better fare at Wright Tavern than Reverend Clarke’s bread and cheese, Revere and Dawes
proceeded along the Old Concord road.
“You
or me?” Dawes asked, his close-set eyes, long nose, and grinning mouth
presenting a comical look, the rooftop of the house they now approached visible
beyond a copse of trees.
“You.”
“How
far d'you think the redcoats have gotten?” Dawes asked, having returned to the
road.
“What
time is it?”
Dawes
removed his watch from his coat pocket. He studied the hands in the moonlight.
“'Bout 1:15 a.m.”
“I
would say, … Menotomy.”
They
resumed riding.
The
stillness of the night played upon Revere ’s
sensibilities. He thought, A blessed tranquility swaddles the land. Weary
toiler, rest your head, all is safe. He and Dawes violated that dictum.
As
did another. Dawes heard first the cantering horse.
“The patrol?”
“It’s
one horse. But be ready.”
Horse
and rider appeared in the bright moonlight. Seeing Revere and Dawes hunched in their saddles,
the rider slowed his horse to a walk. He stopped ten feet away.
“Good
evening, gentlemen,” he declared, “or should I say good morning, for it is
surely that.”
“I’m
Doctor Samuel Prescott. On my way home from my fiancée’s house. Which explains
my presence at this hour.” The young man beamed. “And you, gentlemen, if I may
be permitted to ask?”
Grinning,
Dawes gave his name.
Transferring
his smile, the doctor regarded Revere .
The
silversmith answered. Prescott ’s
quick change of expression amused him.
“I am
honored, sir! Indeed, … fortunate! I too am a son of liberty! Though admittedly
not … Concord
is astir because of you! Of the
message you so recently delivered.” Prescott
leaned forward. “That I should speak to the man who …” Grinning still, he shook
his head. “My betrothed, when she hears me speak, will deem me a prevaricator.
Would that I have you hiding behind the door!”
They laughed. The young doctor was
engaging, likable.
“I’m
on my way to Concord ,
sir,” Doctor Prescott stated. “Are you traveling in that direction?”
“We’re
carrying another message, doctor.” Revere
paused. Prescott ’s
responsive face sobered. Revere
lengthened the pause. “The regulars are out.”
“They
might be an hour behind us,” Dawes added quickly. The cordwainer repositioned
his large, flapped hat.
Wanting
the conversation to end but exercising patience, Revere stared at the dark tops of two pines.
“Then
may I accompany you, actually assist you? I’m well known here, as a doctor and
a patriot.” Prescott looked down the road,
looked back at Revere .
“I believe that my words would bring special emphasis to your message.”
Three
express riders, to do the job of one. Amused, Revere thought again of his doctor friend.
Joseph would want to know everything about this fine young man. “By all means,
doctor,” he said, knowing Prescott ’s
request wanted immediate acceptance. “We welcome your company. But I must warn
you. Our work entails risk.” He paused, to elicit a more intense reaction.
“Somewhere ahead of us we may yet encounter a British patrol. You accompany us
… at your peril.”
Irises
centered, Prescott
nodded.
Wednesday, April 9, 2014
Scenes about Paul Revere
"The Man That Had Made Too Much Noise"
The
militiaman nearest him straightened, raised his musket. “A horse is comin'.”
Munroe
heard it, too, the unmistakable sound of shod hooves striking road.
“Comin'
from the Common,” the militiaman said.
“Could
be from Captain Parker,” a man farther away said. “Maybe them redcoats are
lookin' for trouble after all.”
“Hide
yourselves!” Munroe ordered. Crouched behind the maple tree’s thick trunk,
Munroe blinked rapidly at the road.
He
saw the single horseman. The large-sized man directed his mount into the very
yard! Leveling his musket, Munroe stepped forth.
Seeing
Munroe, the rider swung decisively out of the saddle. “Put that firearm away!”
he shouted.
“Keep
your voice down.”
“I
will speak with Mr. Adams and Mr. Hancock at once!” The stranger gave Munroe a
smoldering look.
“No,
by God, you will not!” The impertinence! He
would be deciding what happened here!
“Let
me pass!” The intruder glowered. “Their lives
are in danger!”
“We
know that!”
It
occurred to Munroe that the rider, a servant or hostler, had been sent by
another member of the Congress. With old news. He would now have to suffer the man’s explanation, before
sending him off. But, first, Munroe would have this puffed up
messenger know who issued the orders here!
“I
won't let you in! The family has retired! Say what you've t'say t’me. And keep
your voice down. They don't want t'be
disturbed by any noise.”
The
rider's teeth glinted in the moonlight. “Noise! You'll have noise enough! The regulars are coming out! Here, tend this!” He handed the
militiaman standing next to Munroe his reins. Taking long strides, he reached
the front door. He pounded on it.
Munroe
grabbed the intruder’s right shoulder. “I said not t'disturb them!”
A
window opened. Reverend Clarke’s large head protruded. “What’s happening out
there?!” the minister demanded.
“I
must see John Hancock at once! Let me in!”
The
clergyman stared at the messenger. “I don't know you,” he said. “I will not
admit strangers to this house at this time of night without knowing who they are and what they want!”
Another
window opened. John Hancock’s hostile expression vanished. “Do come in, Revere ,” the rich merchant
declared, almost laughing. “We’re not afraid of you.”
Will
Munroe’s face burned. A tingling sensation sped across his shoulder blades,
coursed up his neck bone. He had argued with Paul Revere! As important a patriot, nearly, as the two at the
windows. And Mr. Adams, inside. Worse,
he had embarrassed himself! In front of his own guard! He'd be the butt of
jokes, in his own tavern, for weeks!
Well,
he’d have to live with it, wouldn’t he? For awhile. Even though everybody knew
he didn’t suffer any man’s ridicule! Few
tried! This, however -- damned
humilitating, cursed unfair -- he’d have to bear!
It
wouldn’t matter that he had had every
reason for behaving the way he had. He had not been at fault! Revere
hadn’t identified himself! The trouble had been Revere 's doing. A name. All he had needed
from Revere was
his name!
It
occurred to him what Revere ’s
appearance meant. The officers that Solomon Browner had seen had been a
reconnaissance patrol. Gage’s regulars were marching! Whatever Paul Revere was
about to say he should be hearing!
All of which he would be needing to tell Captain Parker. Something definite
would then be done, with nobody thinking to have fun at his expense!
Uninvited,
he passed through the front entrance, following after the man that had made too
much noise.
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